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In the fourth year of his age his father, for a game as it were, began to teach him a few minuets and pieces at the clavier He could play it faultlessly and with the greatest delicacy, keeping in time At the age of five, he was composing little pieces, which he played to his father who wrote them down; these early pieces, K. There is some scholarly debate about whether Mozart was four or five years old when he created his first musical compositions, though there is little doubt that Mozart composed his first three pieces of music within a few weeks of each other: K.

In his early years, Wolfgang's father was his only teacher. Along with music, he taught academic subjects.

Christer Malmbergs värld - Musik - Klassisk musik - Wolfgang Amadé Mozart

Solomon notes that, while Leopold was a devoted teacher to his children, there is evidence that Mozart was keen to progress beyond what he was taught, his first ink-spattered composition and his precocious efforts with the violin were of his own initiative, came as a surprise to Leopold, who gave up composing when his son's musical talents became evident. While Wolfgang was young, his family made several European journeys in which he and Nannerl performed as child prodigies; these began with an exhibition in at the court of Prince-elector Maximilian III of Bavaria in Munich , at the Imperial Courts in Vienna and Prague.

A long concert tour followed, spanning three and a half years, taking the family to the courts of Munich, Paris , The Hague , again to Paris, back home via Zurich and Munich. During this trip, Wolfgang met a number of musicians and acquainted himself with the works of other composers. A important influence was Johann Christian Bach , whom he visited in London in and When he was eight years old, Mozart wrote his first symphony, most of, transcribed by his father; the family trips were difficult, travel conditions were primitive.

They had to wait for invitations and reimbursement from the nobility, they endured long, near-fatal illnesses far from home: first Leopold both children; the family again went to Vienna in late and remained there until December As with earlier journeys, Leopold wanted to display his son's abilities as a performer and a maturing composer.

In Rome , he heard Gregorio Allegri's Miserere twice in performance, in the Sistine Chapel , wrote it out from memory, thus producing the first unauthorized copy of this guarded property of the Vatican. In Milan , Mozart wrote the opera Mitridate, re di Ponto , performed with success. This led to further oper. Although obscure now, in his own day he was compared favorably with his contemporary, Wolfgang Amadeus Mozart , as a composer of opera buffa. In his time he was called "Martini lo spagnuolo", he was known for his melodious Italian comic operas and his work with Lorenzo Da Ponte in the late 18th century, as well as the melody from Una cosa rara quoted in the dining scene of Mozart's Don Giovanni.

Vicente moved to Madrid around , studied music in Bologna under Giovanni Battista Martini , his first opera was Il tutore burlato, to an Italian libretto adapted from Giovanni Paisiello's La frascatana, which in turn was based on a play of the same title by Filippo Livigni.


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This was performed in Madrid during After , he wrote Italian operas, both serious, which were performed throughout Italy. In , he travelled to Naples. In addition, he composed La sposa persiana and Il barbiere di Siviglia. In Naples, he worked with court librettist Luigi Serio on the composition of opere serie , producing Ifigenia and Ipermestra.

Around , he was appointed court composer for Charles IV of Spain. In he moved to Vienna , where he enjoyed great success with three operas composed to texts by Lorenzo Da Ponte, collaborating with Mozart and Antonio Salieri , the rival of the former. These three comedies were Una cosa rara. He is credited with introducing, in the waltz to Vienna.

Moving to London for the season, he provided three more Italian language operas: La capricciosa corretta, he returned to St. Petersburg and was appointed maestro di capella at the Smolny Institute in Shortly before his death in Saint Petersburg, he served as inspector for the Italian opera there, he was still in his post.

Sometimes called the " Hungarian Versailles ", it is Hungary's grandest Rococo edifice. While the palace is compared to Versailles, which the Prince had visited in when he visited Paris , H. The opera house was completed in , the marionette theater in ; the fountain in front of the palace was not completed until , at which point the Prince considered his project complete. Robbins Landon notes that "it was a eccentric idea on the part of Prince Nicolaus to choose it as the site for a large castle; the castle's existence was to prove'mind over matter'". The palace has rooms.

Of particular note is the Banquet Room which has on its ceiling a painting of Apollo in his Chariot ; the large library holds 22, volumes and is graced with the letter'E', standing for the family surname. The largest room is the grotto-like Sala Terrana, inspired by the fashionable Italianate style. On the ceiling are dancing Angels who hold wreaths of flowers in the shape of an'E'.

From to , the estate was the home of the celebrated composer Joseph Haydn , where he lived in a four-room flat in a large two-storey building housing servants' quarters, separate from the palace. Haydn wrote the majority of his symphonies for the Prince's orchestra. This is seen in some of Haydn's letters, as well as in the famous tale of the Farewell Symphony. Thames and Hudson. Giovanni Paisiello Giovanni Paisiello was an Italian composer of the Classical era, was the most popular opera composer of the late s.

His works were influenced Haydn Mozart and Beethoven. Paisiello was educated by the Jesuits there, he became known for his beautiful singing voice and in was sent to the Conservatorio di S.

Onofrio at Naples , where he studied under Francesco Durante , became assistant master. In Paisiello began to write church music, composed a requiem for Gennara di Borbone, of the reigning dynasty. In the same year he married Cecilia Pallini , the marriage was a happy one. Petersburg , where he remained for eight years, among other charming works, his masterpiece, Il barbiere di Siviglia , which soon attained a European reputation; the fate of this opera marks an epoch in the history of Italian art.

When, in , Gioachino Rossini set a revised version of the libretto to music, under the title of "Almaviva ossia la inutil precauzione" the fans of Paisiello stormed the stage.

Divertimento in F Major, K. 213: Study Score

Rossini's opera, now known as Il barbiere di Siviglia, is now acknowledged as Rossini's greatest work, while Paisiello's opera is only infrequently produced—a strange instance of poetical vengeance, since Paisiello himself had many years endeavoured to eclipse the fame of Giovanni Battista Pergolesi by resetting the libretto of his famous intermezzo, La serva padrona. After many vicissitudes, resulting from political and dynastic changes, he was invited to Paris by Napoleon , whose favor he had won five years by composing a march for the funeral of General Hoche.

Paisiello conducted the music of the court in the Tuileries with a stipend of 10, francs and 4, for lodging, but he failed to conciliate the Parisian public, who received his opera Proserpine so coldly that, in , he requested and with some difficulty obtained permission to return to Italy, upon the plea of his wife's ill health. On his arrival at Naples Paisiello was reinstated in his former appointments by Joseph Bonaparte and Joachim Murat , but he had taxed his genius beyond its strength, was unable to meet the demands now made upon it for new ideas, his prospects, were precarious.

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The power of the Bonaparte family was tottering to its fall. The death of his wife in tried him severely, his health failed and constitutional jealousy of the popularity of others was a source of worry and vexation. Another favourite vocal piece is Chi vuol la zingarella from "I zingari in fiesta", that vividly portrays the scene of an attractive gypsy girl with its dramatic music.

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Paisiello wrote a great deal of church music, including eight masses, he composed the Inno al Re , the national anthem of the Kingdom of the Two Sicilies. Manuscript scores of many of his operas were presented to the library of the British Museum by Domenico Dragonetti ; the library of the Gerolamini at Naples possesses an interesting manuscript compilation recording Paisiello's opinions on contemporary composers, exhibiting him as a somewhat severe critic of the work of Pergolesi.

The Concise Grove Dictionary of Music notes that "Paisiello was one of the most successful and influential opera composers of his time. Most of his over 80 operas are comic and use a simple and spirited style, latterly with sharper characterization, more colorful scoring and warmer melodies, his serious operas have less than the conventional amount of virtuoso vocal writing. Paisiello was an opera composer, his instrumental works are therefore imbued with a similar vocally conceived melodic line, granted they may be lacking in the sophisticated counterpoint and motivic work of Haydn and Mozart's music.

This characterization, does not do justice to the extreme drama and topical contrast in all his works such as the Piano Concerto No. He had mastered all the techniques which made for good opera, this made his works p. Baritone A baritone is a type of classical male singing voice whose vocal range lies between the bass and the tenor voice types.

The first use of the term "baritone" emerged as baritonans, late in the 15th century in French sacred polyphonic music. At this early stage it was used as the lowest of the voices, but in 17th-century Italy the term was all-encompassing and used to describe the average male choral voice. Baritones took the range as it is known today at the beginning of the 18th century, but they were still lumped in with their bass colleagues until well into the 19th century. Indeed, many operatic works of the 18th century have roles marked as bass that in reality are low baritone roles.

Examples of this are to be found, for instance, in the operas and oratorios of George Frideric Handel ; the greatest and most enduring parts for baritones in 18th-century operatic music were composed by Wolfgang Amadeus Mozart. In theatrical documents, cast lists, journalistic dispatches that from the beginning of the 19th century till the mid s, the terms primo basso, basse chantante, basse-taille were used for men who would be called baritones; these included the likes of Filippo Galli , Giovanni Inchindi , Henri-Bernard Dabadie.

The basse-taille and the proper bass were confused because their roles were sometimes sung by singers of either actual voice part; the bel canto style of vocalism which arose in Italy in the early 19th century supplanted the castrato-dominated opera seria of the previous century. It led to the baritone being viewed as a separate voice category from the bass.

W. A. Mozart - KV 479 - Dite almeno, in che mancai in C minor

Traditionally, basses in operas had been cast as authority figures such as high priest. More than not, baritones found themselves portraying villains; the principal composers of bel canto opera are considered to be: Gioachino Rossini. Figaro in Il barbiere is called the first true baritone role; however and Verdi in their vocal writing went on to emphasize the top fifth of the baritone voice, rather than its lower notes—thus generating a more brilliant sound.

A limited number may also be accompanied by a video performance. Famous for his "Appalachian Spring" and these: The Olympics theme, and used in commercials for the U.